Media

Podcast: Responsibility for the Future with Niké Wentholt

As part of her contribution to the 30 Years Srebrenica genocide-conference in Sarajevo in July 2025, Niké was invited to participate in the podcast UNSAJDER made for that important anniversary. In the podcast episode, she reflects together with presenter Tina Kalinić on questions of Dutch responsibility and epistemic justice in scholarly research on genocide.

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Publications

“What is the restitution that you are calling for?”: Hoe Namibische belongings uit Duitse collecties terugkeren

Restitutie is een sociaal proces op zich, dat bestaande machtsstructuren weerspiegelt en reproduceert. Terwijl het beweert schade te herstellen, kan het net zo goed nieuwe schade aanrichten door stemmen uit te sluiten en te marginaliseren. Tegelijkertijd betekent restitutie een vorm van thuiskomst. Dit wordt goed zichtbaar in de ervaringen van Namibische nazaten met processen van teruggave van rooferfgoed en voorouders door Duitse instituties.

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Publications

Emotienetwerken in tijden van ongemak

How can the conversational method of emotion networking help in situations where mutual understanding is no longer possible or the conversation seems to be stuck? In this article, Rosa Mul and Limor Reshef explore how emotion networking can also be valuable in providing insight into emotions surrounding themes such as (historical) injustice, recognition, and justice. They organized two sessions with students at the UvH on the genocide in Palestine and share their insights.

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Publications

Exploring the ICTY as Cultural Heritage

The past decades have shown an increase in ad hoc international law institutions, yet the afterlife of tribunals remains relatively unknown. This entry by Niké Wentholt and Siri Driessen explores how the International Criminal Tribunal for the former Yugoslavia (ICTY) in The Hague, as a site of cultural heritage with layered narratives, can be transformed into a place of multidirectional memory. It identifies key narratives accumulated during the ICTY’s lifespan, reflects on silences around peace and justice, and conceptualizes the tribunal’s afterlife as both a legal institution and an archive. Artistic representations are discussed as a means to complexify and transform the ICTY’s narratives, expanding understandings of its history, future, and broader relevance for the cultural afterlife of tribunals.

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